https://jenwilbur.co.uk/about-me/https://jenwilbur.co.uk/wp-content/uploads/2025/08/img_6373.jpgIMG_63732026-03-05T11:43:38+00:00weekly0.6https://jenwilbur.co.uk/media/2025-08-12T15:45:53+00:00weekly0.6https://jenwilbur.co.uk/contact/2025-08-12T11:57:11+00:00weekly0.6https://jenwilbur.co.uk/blog/2025-08-12T11:26:17+00:00weekly0.6https://jenwilbur.co.uk/2020/07/22/international-non-binary-peoples-day-personal-reflections-on-queerness-and-identity/https://jenwilbur.co.uk/wp-content/uploads/2020/07/facebook-carousel-ad-2-e1612113436390.pngFacebook Carousel Ad-2https://jenwilbur.co.uk/wp-content/uploads/2020/07/img_1251.jpgIMG_1251https://jenwilbur.co.uk/wp-content/uploads/2020/07/img_1240.jpgIMG_1240https://jenwilbur.co.uk/wp-content/uploads/2020/07/1266192.jpg1266192https://jenwilbur.co.uk/wp-content/uploads/2020/07/001-claude-cahin-1527896847.jpg001-claude-cahin-15278968472021-07-14T12:09:38+00:00monthlyhttps://jenwilbur.co.uk/2021/02/06/the-foreshadowing-of-death-in-the-art-of-bojack-horseman/https://jenwilbur.co.uk/wp-content/uploads/2021/02/screen-shot-2018-02-17-at-20.10.10.pngScreen-Shot-2018-02-17-at-20.10.102021-02-06T17:24:29+00:00monthlyhttps://jenwilbur.co.uk/2020/07/22/introducing-myself/https://jenwilbur.co.uk/wp-content/uploads/2020/07/facebook-carousel-ad-e1612113173291.pngFacebook Carousel Adhttps://jenwilbur.co.uk/wp-content/uploads/2020/07/screenshot-2020-07-15-at-16.46.28.pngScreenshot 2020-07-15 at 16.46.282021-01-31T17:21:25+00:00monthlyhttps://jenwilbur.co.uk/2020/09/25/researching-the-photographer-lisel-haas/https://jenwilbur.co.uk/wp-content/uploads/2020/09/facebook-carousel-ad-6-e1612113041960.pngFacebook Carousel Ad-62020-09-25T17:09:28+00:00monthlyhttps://jenwilbur.co.uk/2020/09/11/friendly-conversations-about-art-jemma-nicholls-talks-to-me-about-paul-nash-and-war-art/https://jenwilbur.co.uk/wp-content/uploads/2020/09/screenshot-2020-09-11-at-13.51.00.pngScreenshot 2020-09-11 at 13.51.00https://jenwilbur.co.uk/wp-content/uploads/2020/09/facebook-carousel-ad-5-e1612113070936.pngWe are Making a New World (Art.IWM ART 1146) image: The view over a desolate landscape with shattered trees, the earth a mass of shell holes. The sun hangs high in the sky, beams of light shining down through heavy, earth-coloured clouds. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/20070We are Making a New World (Art.IWM ART 1146) image: The view over a desolate landscape with shattered trees, the earth a mass of shell holes. The sun hangs high in the sky, beams of light shining down through heavy, earth-coloured clouds. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/20070https://jenwilbur.co.uk/wp-content/uploads/2020/09/large_0000001.jpglarge_0000001Sunrise, Inverness Copse (Art.IWM ART 724) Image: a view over a devastated Western Front landscape at Inverness Copse, near Ypres in Belgium. The ground is a layer of thick brown mud, from which rise the trunks of shattered trees. There is a lake beyond the copse, and a bright sun rising over the brown-coloured clouds in the background. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/20067https://jenwilbur.co.uk/wp-content/uploads/2020/09/easter-offensive-1972-e28093-route-13-and-abandoned-airfields.jpgEaster Offensive 1972 – route 13 and abandoned airfieldshttps://jenwilbur.co.uk/wp-content/uploads/2020/09/large_000000.jpgPaul Nash, We Are Making a New World, 1919, © IWM Art.IWM ART 1146We are Making a New World (Art.IWM ART 1146) image: The view over a desolate landscape with shattered trees, the earth a mass of shell holes. The sun hangs high in the sky, beams of light shining down through heavy, earth-coloured clouds. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/200702020-09-11T18:02:25+00:00monthlyhttps://jenwilbur.co.uk/2020/08/25/racism-homophobia-and-images-of-desire-an-analysis-of-the-depictions-of-queer-black-men-in-1980s-film-and-photography/https://jenwilbur.co.uk/wp-content/uploads/2020/08/facebook-carousel-ad-4-e1612113085232.pngFacebook Carousel Ad-4https://jenwilbur.co.uk/wp-content/uploads/2020/08/screenshot-2020-08-25-at-12.27.50.pngScreenshot 2020-08-25 at 12.27.50https://jenwilbur.co.uk/wp-content/uploads/2020/08/screenshot-2020-08-25-at-12.27.38.pngScreenshot 2020-08-25 at 12.27.38https://jenwilbur.co.uk/wp-content/uploads/2020/08/screenshot-2020-08-25-at-12.27.29.pngScreenshot 2020-08-25 at 12.27.29https://jenwilbur.co.uk/wp-content/uploads/2020/08/screenshot-2020-08-25-at-12.27.21.pngScreenshot 2020-08-25 at 12.27.21https://jenwilbur.co.uk/wp-content/uploads/2020/08/screenshot-2020-08-25-at-12.27.14.pngScreenshot 2020-08-25 at 12.27.14https://jenwilbur.co.uk/wp-content/uploads/2020/08/screenshot-2020-08-25-at-12.27.06.pngScreenshot 2020-08-25 at 12.27.062020-08-25T12:22:08+00:00monthlyhttps://jenwilbur.co.uk/2020/08/14/friendly-conversations-about-art-dominic-powell-talks-to-me-about-ballet-mecanique/https://jenwilbur.co.uk/wp-content/uploads/2020/08/t07573_10.jpgFountain 1917, replica 1964 by Marcel Duchamp 1887-1968Fountain 1917, replica 1964 Marcel Duchamp 1887-1968 Purchased with assistance from the Friends of the Tate Gallery 1999 http://www.tate.org.uk/art/work/T07573https://jenwilbur.co.uk/wp-content/uploads/2020/08/screenshot-2020-08-14-at-15.44.37.pngScreenshot 2020-08-14 at 15.44.37https://jenwilbur.co.uk/wp-content/uploads/2020/08/facebook-carousel-ad-2-e1612113106265.jpgFacebook Carousel Ad-22020-08-14T15:21:22+00:00monthlyhttps://jenwilbur.co.uk/2020/07/30/blue-derek-jarman-the-aids-crisis-and-the-trouble-of-public-narrative/https://jenwilbur.co.uk/wp-content/uploads/2020/07/facebook-carousel-ad-3-e1612113119568.pngFacebook Carousel Ad-3https://jenwilbur.co.uk/wp-content/uploads/2020/07/46002452_tatchell_98_pa.jpg_46002452_tatchell_98_pa2020-07-29T14:56:08+00:00monthlyhttps://jenwilbur.co.uk/2020/07/27/friendly-conversations-about-art-amber-thomson-talks-to-me-about-olafur-eliasson/https://jenwilbur.co.uk/wp-content/uploads/2020/07/facebook-carousel-ad-e1612113135396.jpgOlafur Eliasson, Room For One ColourGiorgio Boato, Danish Pavilion, 50th Biennale di Venezia, Venice, 2003 https://olafureliasson.net/archive/artwork/WEK101676/room-for-one-colour 04/05/20 2020-07-27T17:18:05+00:00monthlyhttps://jenwilbur.co.ukdaily1.02026-03-05T11:43:38+00:00